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  • VIENS QUE JARRIVE (1) (French Edition).
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Or to find out the names of any other Venetian artists. In the end these mistakes and the vagueness of, for example, having an important site described as being 'in Dorsoduro' repeatedly, without ever getting more specific, wearing and annoying. There's also a somewhat inauthentic obsession with all the canals being thick and smelly and the 'streets' being full of rubbish and rats. I mean they're expecting me to buy this book and they can't be bothered with Google Earth, let alone taking a short trip to get to know the place. To say that I don't expect either author to be taking my Venice-lovers Venice Questions quiz is a huge understatement.

William Goldman as S.

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Morgenstern The silent gondoliers A slim volume from the author of The Princess Bride containing a short fable, much white space, and many illustrations. It's the story of a gondolier with a gooney smile and his struggle for acceptance by his peers - despite having a singing voice that encourages his pelting with old fish - with lots of secret gondolier lore that is so mysterious and impressive that it must be made up.

These include the reason why gondoliers don't sing anymore, despite having such fine voices that Caruso shunned Venice forever after hearing them, and revelations about the secret gondolier hangout and the site of the trickiest turn, used to test all graduating gondoliers. It won't take up much of your life to read this book, but it may well lodge in your memory, especially if you have a fascination for, or indeed a thing about, gondoliers.

Here the young sultan charges our hero with finding and acquiring the famous Gentile Bellini portrait see left of his grandfather, thought to be still in Venice. He first sends his friend Palewski, the Polish Ambassador, undercover as an American collector. Things soon get murky, though, as art dealers start to get murdered.

The particular period in Venice's history - the mid-nineteenth century - with the city's days of greatness fast waning and the decay in no way slowed by Austrian rule - is most authentically conjured up. Mr G knows his Ottoman history and his Byzantine leanings make for a refreshingly Eastern-looking perspective.

This is a mystery more literary than punchy, and a very satisfying and Venetian read. Jon Courtenay Grimwood. MacDonald Harris Pandora's Galley Discovering that an author whose name is being bandied about as a forgotten master of his craft really is as good as they're saying is a rare enough thing, confirmed by reading his republished gem - The Balloonist, in this case. To discover that he also wrote a book set in Venice is very superior cake-icing indeed. And a mighty fine book it is too. It is inspired by the author's discovery of documents relating to an American-born mercenary sailor active in Venice in the late 18th century.

From this character he spins a story of political skulduggery and intrigue around the threatened French invasion of and its possible prevention.

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The plot progresses at a leisurely pace, though, allowing plenty of nice interaction between the author's trademark odd characters. There's also much revelling in the Venetian locales, at a gondola's pace, as we follow these characters across and around the small city, authentically and atmospherically evoked by someone who really knows his Venice. He doesn't put a foot wrong with his evocative period details and precise topography. The nautical technical stuff I'm less able to judge, but it has real tang too.

He knows that coming into Piazza San Marco opposite the Basilica at this time would take you past the soon to be demolished church of San Geminiano, for example; and that as dogs weren't allowed on traghetti the Rialto Bridge, the only bridge over the Grand Canal then, was known as the traghetto di cane , the dog's traghetto. Also impressively beyond the usual is the author's use and grasp of Venetian dialect and his evocation of the ambiguity of Napoleon's intentions, with regard to his wanting to invade Venice but also to free it from, in his view, the tyranny of its aged ruling class.

This one instantly earns a place up there with the Venetian essentials, for its subtlety, effortless authenticity and sure grip of story. Hartley Simonetta Perkins If I tell you that this one tells of a spunky American heiress travelling through Europe with her Mother avoiding the husbands planned for her you might be reminded of works by Henry James and Edith Wharton, and so you'd be half way to knowing how this one was going to play out.

Forster makes in his Italian novels. It's a novel of thoughts rather than actions and so slips by with small bright glimpses of Venice from the gondola and long lingering paragraphs spent in the heroine's head as she worries over her fate and character. But it's witty and believable, despite the rarefied air, and enjoyable. Republished by Hesperus Press , publishers of short lost classics in tasteful editions, with interesting introductions by people you've probably heard of. David Hewson The lizard's bite The story here begins with murder in a Murano glass foundry, like the last Donna Leon, but this one is very different - it's harsher and more gruesome in its details, in contrast to Ms Leon's recent lack of any real deaths.

Other differences include the fact that Hewson's detectives, Nic Costa and Gianni Peroni, are not the charismatic and eccentric characters here, they are his deputies. Presumably these names were chosen to subliminally suggest the characters when you buy a coffee or a beer. Also they're helped by their respective girlfriends, who are ex-FBI and a pathologist, and so do not live in a state of domestic bliss. Nic Costa's ex-FBI girlfriend is introduced in a somewhat leeringly sexy way early on, but she soon confounds our doubts with regard to Hewson's sexism by becoming one of the strongest and more well-defined characters.

There's art-crime, corruption, and inter-departmental wrangling as we'd expect, all wrapped in an unexpectedly toothsome plot and some good writing. The somewhat convenient random-violence ending of the plot bugged me a bit, but the subsequent winding up of the various emotional turmoils of the main characters was convincing and impressive. Lucifer's shadow This novel, first published in and reissued mysteriously in as The Cemetery of Secrets, almost bursts a gasket fitting in nearly all the themes explored in recent Venice-set fiction. It tells two stories, one set in and another taking place years later.


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  8. Both feature Vivaldi, a valuable violin, an English villain, a musical manuscript, the cursed Ca Dario, brutal murders, deception and young love. They are centred on Campo San Cassiano and between them also take in the Ghetto, fatal illness, the Lido and the cemetery of San Michele. So a lot is squeezed in, but it all fits and makes for two strong and very involving tales.

    Each story alternates chapters but both pull their own so that at no time are you ever tempted to skip ahead a chapter.

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    Each features a naive young man, newly arrived in Venice, learning life-lessons and coming out a battered but wiser person. Each also features central female characters of sass and, if you'll pardon the expression, spunk. Throw in a fair few art references and church visits and you have a mighty good Venetian read.

    Katie Hickman The Pindar Diamond In a convent on an island out beyond Giudecca lives a girl who once served the Sultan's wife in Constantinople and who mourns an English friend made there. In Venice itself a visiting English merchant seems intent on gambling away several fortunes. His sadness is somehow connected to an English girl lost to a shipwreck, or slavers. The two strands of this story are linked of course, by a diamond and a mermaid baby - we are initially kept in a fog about how. This novel could have been what a librarian would dismiss as an historical romance, but it really wants to be shelved in amongst the real books.

    In moments of weakness it tends to drift towards the romantic, but generally has the strength to resist. It does this with the help some fetidness, gothic tendencies and sure-footed and swift-moving plotting. Venice sometimes gets a bit vague, geographically, but its never less than a pleasingly rank, threatening and crumbling presence.


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    6. A much-nonsense enjoyable read. A nasty tale that doesn't anthropomorphise and so has a ring of truth to life! It is nonetheless slight, albeit with a strong smell of Venetian canals to it. Susan Hill The Man in the Picture F or quite a while this small book seems as if it's never going to visit Venice, but it does eventually, twice.

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      It's all about a painting of Venice, a scene of the carnival, which acquires the faces of people whose lives it curses. It's a suitably macabre tale, well told but without much of the descriptive detail one might crave, or the gothic excesses one might love guiltily. It's a very readable mix of Henry James with M. James which easily holds the attention, but for me it lacked shocks and texture. Mary Hoffman Stravaganza - City of Masks Having read one novel set in an imaginary Venice in by Tanith Lee below of course another one appeared within mere days.

      https://tratrarifastge.ga This one's by an author of books for teenagers, which is what this seems to be. I say 'seems to be' because it's more grown-up in its attitudes to sex and death than books I would've read in my teens and, like the works of Philip Pullman, is more emotionally engaging and moving than most books for adults. The fictional Venice here is called Bellezza, gondoliers are mandoliers, silver is more precious than gold which means the mosaic domes in the Basilica are silver-coloured in Bellezza and the doge is female.

      This Duchessa is about to take part in Bellezza's ceremony of the city's marriage to the sea as the book opens. This involves her being lowered into the lagoon until it reaches her, umm, marriage parts. Into this alterno-Venice is dropped Lucien, a boy from present-day England who is weak and recovering from chemo treatment for cancer. He is transported to 16th century Belezza if he falls asleep clutching an old notebook made in Venice and found on a skip.

      His adventures in Belezza take in elements of the thriller and the romance, with a fair amount of magic and alchemy. William Dethridge , a mysterious Elizabethan mystic in the Dr Dee mould plays an important part, and talks in an amusynge olde Englishe waye. Murders are planned, and perpetrated, relationships grow, and the plot whips us thrillerishly to a truly moving conclusion.

      I loved it. There are six Stravaganza books now, taking in versions of Ravenna, Padua, and Lucca too. See www. Kazuo Ishiguro Nocturnes This is a book of five short stories, of which only one is set in Venice.

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      Crooner is the first story, and tells of a young musician's odd encounter with his mother's favourite singer - a Tony Bennettish figure contemplating a comeback. It gives good Venice, and introduces the themes of the stories: musicians, middle-aged nostalgia, narcissism, and the sorting out of one's life late into it.

      It has the author's characteristic humanity and sly oddness, all delivered in his easy no-style literary style. But I found the stories artful unresolvedness a bit trying after a while. I don't expect all short stories to end with a twist, of course, but to not have been left hanging every time would've been nice. Jonathan Holt The Abomination : Book One of the Carnivia Trilogy A woman is found murdered in a priest's robes on the steps of the Salute on a new Carabinieri officer's first day, a US Army lieutenant starts her new job at a huge base near Venice and an internet wiz famous for creating Carnivia - a virtual Venice where people can meet and swap information off the grid - is facing prison for daring to make this possible.

      What links these plot strands? Well, pretty soon we get intimations of conspiracy and concealment. And black magic and Bosnia. As the big fish are identified and the red herrings fall by the way this opener for a new series pretty much lives up to its ambitions, I must say. It's contemporary the Edward Snowden-like figure could not be more timely with a good and page-turning plot, and has a light and true touch with its lead female protagonists that even descends to fashion observations and the bandying of labels.

      But things gradually get global and scary - the title and the billing as part of a series don't really prepare you for where this book goes. Harrowing is not too strong a word, especially as the facts of the use of rape during the war in former Yugoslavia become central. This is nearer to Stieg Larsson than Dan Brown or Donna Leon, with added techno touches, but really makes a fresh mixture all its own.